Reading Paul Rosano’s reflections on sitting for Sylvia Sleigh is incredibly moving. As a figurative artist who also models, I’m struck by the mutual respect and tenderness in their dynamic. Sleigh’s work with Paul still feels groundbreaking—recasting the male nude through a feminist lens, with care, curiosity, and vulnerability. Her portraits didn’t just subvert the gaze—they rewrote it. The way she painted men as seen, not staged, is something I think about often in my own practice. This interview is such a gift. Thank you for sharing it.
Loved this interesting post. I saw the Turkish Baths painting somewhere perhaps with another Neel show. Portraiture interests me so much so it’s a bit of pulling aside the veil! Hope to get to the gallery to hear the interviews. That would be special. These responses I hope underline your work as a great source of ongoing history. When you have time watch Pull My Daisy on YouTube. It features Alice and our dear friend David Amram as well as other beat poets.
I'm glad you got this interview down on paper! Hopefully PJ will write more about his experience for future readers and art historians, it's a valuable and unique perspective we get too rarely. Thanks for sharing!
Loved this post. I've been modeling for art classes for about a decade now, and I always wanted to hear from other models about their experiences. I'm so glad he shared his experiences with you and your audience!
The stories of relationships between sitters and painters is so interesting. I hope you'll turn this subject into a regular part of your writing. Looking forward to the piece on Alice Neel.
Reading Paul Rosano’s reflections on sitting for Sylvia Sleigh is incredibly moving. As a figurative artist who also models, I’m struck by the mutual respect and tenderness in their dynamic. Sleigh’s work with Paul still feels groundbreaking—recasting the male nude through a feminist lens, with care, curiosity, and vulnerability. Her portraits didn’t just subvert the gaze—they rewrote it. The way she painted men as seen, not staged, is something I think about often in my own practice. This interview is such a gift. Thank you for sharing it.
Loved this interesting post. I saw the Turkish Baths painting somewhere perhaps with another Neel show. Portraiture interests me so much so it’s a bit of pulling aside the veil! Hope to get to the gallery to hear the interviews. That would be special. These responses I hope underline your work as a great source of ongoing history. When you have time watch Pull My Daisy on YouTube. It features Alice and our dear friend David Amram as well as other beat poets.
I'm glad you got this interview down on paper! Hopefully PJ will write more about his experience for future readers and art historians, it's a valuable and unique perspective we get too rarely. Thanks for sharing!
The Female Gaze...I very much enjoyed the context this brings!
Thank you, great insight into muse and artist, a subject I am working on.
This event on 5/9 is at capacity
Loved this post. I've been modeling for art classes for about a decade now, and I always wanted to hear from other models about their experiences. I'm so glad he shared his experiences with you and your audience!
The stories of relationships between sitters and painters is so interesting. I hope you'll turn this subject into a regular part of your writing. Looking forward to the piece on Alice Neel.
Enjoyed reading this!
Happy Birthday, Sylvia Sleigh.
How wonderful. His message, this interview. Thanks for sharing.